Saturday saw the annual State Of The Word address by WordPress co-founder Matt Mullenweg, as part of WordCamp San Francisco. Worth taking an hour out to watch it, if you've got any interest in the WordPress project.
And I'm delighted to note that not one, but two Code For The People projects got a mention during the talk: our work for the Rolling Stones, and Oxford University's Free Speech Debate (although the latter was a bit blink-and-you'll-miss-it). We'd have been delighted to see one project among Matt's hand-picked highlights of the year; having two is a bit of a shock.
The other important point to note is that WordPress 3.5 will be released on 5 December ('I 100% believe it's gonna happen'), even if it means dropping certain features. We're already starting to see signs of what's in store, including the Twenty Twelve theme, and changes to Media uploading.
Big news today, if you're into this sort of thing: Automattic have just announced an extension of their WordPress.com VIP Featured Partner program(me). It used to be only for other technology platforms; but they've now opened it to interactive agencies.
There are only nine in the initial group of agencies vetted 'to ensure the agency's capabilities fit the needs and scale of VIP customers'. And we're among them.
It's an elite bunch we find ourselves in: exclusively English-speaking, majority US-based, with a smattering of famous names (well, in certain circles). To be quite honest, we've no idea where it might lead. But with a client list like ours, we feel we're already playing in that VIP league already, and we're excited at the possibilities coming from wider exposure.
To mark the occasion, we've (finally!) got a Code For The People website up - and we're really quite proud of it. It's in the 'one page' style - partly because we didn't have time to write loads of editorial, but also because you don't have time to read it either.
Although the content is hardcoded, it's been built as a barebones WordPress theme, giving us easy access to extra functionality - there's an embedded contact form, for example, and an embedded version of Simon's Twitter Tracker widget. I'm sure we'll migrate more stuff into it over time. But then again, I bet we've all said that, and then... well, you know.
It's been a(nother) fantastic piece of work by Laura Kalbag, who led on the visuals, and took charge of the coding duties in the latter stages. Thanks, Laura.
I'm now into my 18th year earning a living building and running websites. I've been lucky enough to work for and with some household names. But never could I have imagined that I'd end up working for The Rolling Stones. And yet, for the past few months, that's precisely what I've been doing. I'm still not sure it's actually sunk in yet.
I'm not going to waste time explaining why it's been an exciting project to work on. It's The Rolling Stones, for dear's sake. But one note I will add, for younger viewers, is that the Stones were one of the first 'real world' entities to have a website: here's the Wayback Machine's copy from 1996. A year earlier, they'd even live-streamed a concert (to an audience, one assumes, of literally dozens) - it was the very moment I decided there was probably a future in this stuff.
Simon and I were brought on board by designer James Stiff, who had worked with the Stones' team last year, on spinoff site StonesArchive.com. Their existing site was black, and rather funereal. It read like a museum exhibit. It hadn't kept pace with the development of social networking, or online music sales. And it was running on Drupal. They wanted a 'total overhaul', to coincide with the 50th anniversary of the band's first concert (here's the setlist), and the opening of an exhibition at Somerset House. Of course we said 'yes'.
Behind the scenes, it's the now customary mix of WordPress custom post types and taxonomies. We're running separate post types for people, songs, albums (etc), videos, and photo galleries. Albums and people also exist as taxonomies, allowing us - for example - to show full credits and track listings for each album, including audio previews.
The entire site is underpinned by the iTunes API. Our starting point was a big data scrape, pulling down details of the 400-ish separate songs in the Stones back catalogue, which we then associated with the relevant albums (plural, in may cases). Of course, in doing this, we couldn't have picked a harder back catalogue to work with: so many compilations, live albums, and so on. So we've also included an indication of the 'canonical' version: in other words, the album most normally or naturally associated with a given track. This gives us something sensible to offer in search results... and powers a feature we didn't quite have ready for launch, but which is truly awesome.
iTunes is also the source of the 30 second audio clips, delivered in m4a format. Great in Chrome and Safari, Android and iOS, even IE: all of whom can play it natively using HTML5's <audio>. But not Firefox or Opera. So we're having to include a Flash-based fallback, using the jQuery-based jplayer. Hang on, wasn't HTML5 meant to spell the end of cross-browser chaos?
There's plenty more I could waffle on about here: the all-widget homepage, our use of WPEngine or Twitter Bootstrap (thanks to both!)... but it's clear there's one feature which has excited people more than most. Ladies and gentlemen, I give you the error page they're calling 'Probably the Greatest 404 Page Not Found Error of All Time'. (And that's a guy called Jesus saying that, so...)
It's not unusual for a relaunched website to see a lot of people hitting its '404 not found' page, as people click on now-invalid links or bookmarks. But we're seeing people deliberately trying to hit it, in vast numbers. It's getting its own articles on sites like Gizmodo and Mashable. I'm half-expecting to see it trending on Twitter by the end of the day. People are sending me vast numbers of suggestions of musical 404 pages for other Rock Legends. It's all just a little bit nuts.
What's more exciting for me, personally, is the way we (by which I really mean Simon W) approached the site development. The functionality, wherever possible, has been written for easy reuse. So the next time a legendary rock act with an extensive back catalogue comes calling, we'll be able to get them to a working prototype in double-quick time.
Our thanks go to all those who made it possible: EC, the guys at WPEngine, the Twitter Bootstrap crew, the WordPress community... and Bruce Springsteen, whose website - relaunched on WordPress earlier this year - was a source of inspiration.
But in particular, thanks to James Stiff for bringing us on board in the first place, providing us with some gorgeous visuals to work with, coming up with the 404 idea, and from my own selfish perspective, supplying everything in perfectly web-ready form.
PS If anyone happens to see David Bowie, tell him I said 'hi'.
This has been a Code For The People production, on behalf of the Greatest Rock N Roll Band In The World.
The run-up to the Olympic Games starts in earnest today, with the arrival of the flame on British shores - and Whitehall is opening up its dedicated Government Olympic Communication operation, providing 'a single point of contact for London 2012-related media enquiries ... until the end of the Paralympic Games on 9 September.' There's a dedicated press team, drawn from across Government - and a dedicated website, which I'm genuinely proud to say we built.
DCMS asked us for a site which could draw together the many streams of information - text, photo and audio - already being produced in government, and make them easy for journalists to explore. Many departments were issuing press briefings, or posting fantastic material on Flickr or YouTube, but there was no easy way to browse through it, or conduct targeted searches.
Cue some WordPress-powered magic.
A trained eye will spot our heavy use of custom post types. Some, like 'backgrounder' were fairly straightforward, identical to posts or pages, but separated out for convenience. Others, like 'theme' and 'region' were more complex - and were also sync'ed up to custom taxonomies, allowing us to 'tag' other post types as being relevant to a given theme/region. We then interfere with WordPress's default selection of display templates, to show collated results pages: editorial on one side, search results on the other.
Here's an example: a 'theme' page, showing relevant results from the other post types.
There are specific custom post types for photos - specifically Flickr; and videos - specifically YouTube. (Why these two? Because pretty much every department is already using them.) And in both cases, we've written custom code to interface directly with the host sites' APIs, making the process of adding new material a breeze.
Let's take YouTube, for example. Editors simply click 'Add New', then paste the URL of a YouTube clip's page into a clearly labelled box. We extract the clip's unique ID, then query the YouTube API to get its thumbnail, which we save as the WP post's featured image; and the YouTube-recommended embed code. Couldn't be easier.
Then, when you view the clip's page on the site, the video gets embedded automatically - and we display the YouTube embed code, for journalists or bloggers to take away to their own sites.
We let the journalists and bloggers customise the embed's dimensions via an ajax call back to YouTube; so if you need a clip to be a certain size, we'll recalculate the width and height accordingly. We store your preference using a cookie - meaning that now, every time you look at a video page, the embed code is pre-customised for you.
Then there's the multi-dimensional search function. Each post type has a number of taxonomies associated with it: theme, region, originating department, and so on. So when you're browsing, say, the photo archives, you can specify that you want photos on a given theme... or from a given region... or by a given department... or in a given month. Individually, or in combination.
It's the first time we've tackled this kind of 'advanced searching' functionality, and it probably doesn't sound all that complicated: but I can assure you, it is.
It's also the first time we've delivered a responsive design on a client site. We originally planned three versions: phone, tablet and desktop. But a late change of code base, and (to be honest) questions over its real value, led us to drop the tablet view. For the most part, it's just been a case of un-floating the various blocks in the layout grid - but a few elements, like the primary navigation and homepage carousel, needed a bit more work. Give it a try if you've got a smartphone handy; or resize your (non-IE) browser to a really narrow size. It should kick in at 480px width.
Behind the scenes, working with our very good friends at CatN Hosting, we've added a Varnish cache - just in case there's a sudden huge leap in traffic. Hopefully it won't ever be required. But for the same reason they're putting missiles on top of east London tower blocks, we're planning for a worst-case scenario.
My thanks to Nick at DCMS/GOC for commissioning us, and protecting us from the internal wrangling. To Joe at CatN, for leaping into action when called upon, and for very kindly volunteering to help with Varnish. And to the G-Cloud process, directly and indirectly, for its help in buying Joe's services. To the other clients who, knowingly or not, contributed ideas and code to the site's development. But most of all, to designer Laura Kalbag, who developed the visuals and did the bulk of the front-end functionality. You're all wonderful.
Let the Games begin.
This has been a Code For The People production.
There's a new website in the civilservice.gov.uk domain - but because it's at a subdomain, of course, it doesn't count as a 'new' site. (That's an observation, not a criticism; I'm as guilty of doing this as anyone.)
Created by DWP 'in their role as leaders of Govt agile adoption on the ICT Strategy CIO Delivery Board', it's a community site which sets out to provide a space for 'people in the public and private sectors to discuss, share and get advice and answers on adopting agile in UK Government projects'. As such, it ticks a box from the ICT Strategy Implementation Plan.
Naturally I'm delighted to see they've built it using BuddyPress. It looks like a fairly 'vanilla' installation for the moment, running using the free BuddyPress Corporate theme, with minimal customisation. I've also spotted the Q&A premium plugin in there too. The IP address reveals it's the handiwork of Harry Metcalfe's DXW crew.
They're doing the right thing by just charging headlong into it; it seems like all the Facebook-esque functionality - personal profiles, groups, forums (?), friending, etc - has been enabled. Some of it will work, some won't. But since it's all in there already, you may as well give it a try.
I'd also endorse the decision to work with a ready-made theme: I recently looked into developing a BuddyPress theme from scratch, and soon gave up on the idea. It's terrifying. If you really want to customise the look & feel, do it as a Child Theme.
The fate of any BuddyPress is dictated by the momentum it builds (or fails to build). The site, or more accurately its membership, needs to provide good enough reason for people to come back regularly, and contribute while they're there. I wish them well.
We've got a BuddyPress-based government project of our own in the works; the development work is close to completion, but we're facing a few bureaucratic hurdles. I'm hoping for progress in the next couple of weeks; naturally, I'll blog about it in due course.
This year's big UK WordCamp will be in Edinburgh; tickets are due to go on sale in the next few days. It's a beautiful city, and the venue looks magnificent. But obviously, it poses a few logistical problems for those of us based in south-east England.
So I was thinking... does anyone fancy taking the Caledonian Sleeper service overnight from London Euston? Tickets for that weekend are now on sale; at the time of writing, it'll come to £100 return. However, if we can get a group of 10 together, we can probably get a decent discount... not to mention the benefit of each other's fine company. (And the prospect of being the world's first Mobile WordCamp!)
If you're interested, add a comment to this blog post (or send me an email via the contact form). Obviously, we can't do anything about it until tickets actually go on sale, but it would be a good idea to get a feel for possible numbers.
Just to close off the story from a couple of weeks ago... as you'll almost certainly know already, Boris Johnson won the London mayoral election. And as pledged, he has now returned to tweeting as @MayorOfLondon - an account which, we have now confirmed, belongs to the Office of Mayor, and not Boris personally.
I'm putting jobs & economic growth at the heart of my mayoralty for a more successful & prosperous city bit.ly/IAwmrg
— Boris Johnson (@MayorofLondon) May 8, 2012
Consistency of government departments' visual identity has been on the cards for quite some time. In such austere times it's increasingly indefensible not to; it's how the citizen sees it anyway; and there's evidence, from home and abroad, that it can be beneficial. I blogged back in 2010 that, with a new government taking power, it was an idea whose time had come; and the Single Government Domain project was always likely to be the trigger.
A couple of months back, I received a tipoff that the new logo style had been agreed; and that departments were starting to factor it into future comms plans - but I didn't want to blog about it until the details were made public. Looking through the GDS Github account this morning, I came across a publicly accessible PDF file entitled 'HMG Identity System', carrying Cabinet Office branding, dated January 2012, and uploaded in the last fortnight. It confirms the tipoffs I had received.
If you've been following the evolution of the gov.uk project, it won't come as much surprise to learn that each department gets a single identifying colour. (Health get two - one of which is NHS Blue.) For the most part, the colours will be broadly familiar from existing departmental palettes: Education's orange is the most striking exception. Departments' sub-agencies will also fall into the same system, and will inherit the colour of their parent department.
All logos are to be dropped in favour of a digital-friendly Royal Coat of Arms, except for those departments whose current identities use a particular 'heraldic badge or crest' - the Home Office and MoD are noted specifically, but I assume the Wales and Scotland Offices would be covered by this too. (NIO's use of a crest seems somewhat half-hearted, so I guess they'll use the common one.)
There will also be 'auxiliary icons' for use in certain circumstances: the crown as seen already atop gov.uk, and a somewhat unpleasantly squared-off Union Jack.
The document says it can be used in either portrait or landscape orientation, but there's no indication of how it will handle extra-long names such as Defra's.
It's very simple, surprisingly so in fact. The choice of typeface - Helvetica Neue, I assume? - doesn't immediately say British, in the way that Gill Sans might have done. It'll be very easy to forge; and, I fear, very easy for arms-length bodies to get wrong. But purely subjectively, I do quite like it.
Update, 11 May:
The 'new look' is in fact already 'out there', if you know where to look. I've had it confirmed by the Dept for Education that they've been using it on their website since 'the start of April', making them the first dept to do so. However, implementation is patchy: the 'old' DfE identity is still in evidence: I'm seeing an old logo as their website's favicon; on their Facebook page; and despite their claims to have changed it, as their Twitter icon and profile background.
There's also photographic evidence of the new style in use by the Teaching Agency, a DfE executive agency.
I haven't yet found evidence of any other departments using it yet. If you have, do please leave a comment.
A bit of extra background for anyone who's interested:
- The Dutch government rebranded all ministries with a consistent (royal crest) logo and typeface in late 2007. The work was led by design agency Studio Dumbar. (Warning: Flash heavy.)
- Canada and Germany have had consistent departmental identities for ages. France adopted a common logo (Marianne) in 1999, but its application is somewhat variable.
- The introduction of a consistent NHS identity was exemplary: 95% of people now recognise it spontaneously. This website explains what they did, and why.
- The departments of the Northern Ireland Executive share a common visual identity (hexagon-based logo and typeface): but the website about it seems to have been rationalised. The Scottish government doesn't appear to have any kind of identity for its Directorates... which I guess is consistency of another kind.